I believe that quantity > quality. This portfolio is a result of iterations which gives evidence to the fact that craft is directly proportional to the effort and time invested. Noticing patterns to this process is how I’ve attempted to hone my skills. And that awareness slowly becomes my design instinct.


I enjoy turning vague ideas into cognitive systems that make sense. That ambiguity is my friend and the abstraction is a huge part of my process.

I think in systems of behaviour, information, and interaction. It's about seeing nodes everywhere. A button isn’t just a text wrapped in a frame with padding. It's a node in a flow, a piece of a larger mental model.

This is why I start abstract. Skeleton before the skin.


Even though I don’t particularly enjoy confrontations, healthy friction and intellectual conflicts help me in refining my decisions.

Football’s been my day one, though it’s also one of the reasons why I might book a rage room one day (looking at you, Madrid). My place of peace is a piece of dense fiction that requires a dictionary. Add Tame Impala/Pink Floyd and an ice latte, and I'm good.


Always up for a chat about anything so feel free to reach out :)

I believe that quantity > quality. This portfolio is a result of iterations which gives evidence to the fact that craft is directly proportional to the effort and time invested. Noticing patterns to this process is how I’ve attempted to hone my skills. And that awareness slowly becomes my design instinct.


I enjoy turning vague ideas into cognitive systems that make sense. That ambiguity is my friend and the abstraction is a huge part of my process.


I think in systems of behaviour, information, and interaction. It's about seeing nodes everywhere. A button isn’t just a text wrapped in a frame with padding. It's a node in a flow, a piece of a larger mental model.

This is why I start abstract. Skeleton before the skin.


Even though I don’t particularly enjoy confrontations, healthy friction and intellectual conflicts help me in refining my decisions.

Football’s been my day one, though it’s also one of the reasons why I might book a rage room one day (looking at you, Madrid). My place of peace is a piece of dense fiction that requires a dictionary. Add Tame Impala/Pink Floyd and an ice latte, and I'm good.


Always up for a chat about anything so feel free to reach out :)

I believe that quantity > quality. This portfolio is a result of iterations which gives evidence to the fact that craft is directly proportional to the effort and time invested. Noticing patterns to this process is how I’ve attempted to hone my skills. And that awareness slowly becomes my design instinct.


I enjoy turning vague ideas into cognitive systems that make sense. That ambiguity is my friend and the abstraction is a huge part of my process.

I think in systems of behaviour, information, and interaction. It's about seeing nodes everywhere. A button isn’t just a text wrapped in a frame with padding. It's a node in a flow, a piece of a larger mental model.

This is why I start abstract. Skeleton before the skin.

Even though I don’t particularly enjoy confrontations, healthy friction and intellectual conflicts help me in refining my decisions.

Football’s been my day one, though it’s also one of the reasons why I might book a rage room one day (looking at you, Madrid). My place of peace is a piece of dense fiction that requires a dictionary. Add Tame Impala/Pink Floyd and an ice latte, and I'm good.


Always up for a chat about anything so feel free to reach out :)

Vinyl

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